Origins’ score was entirely conceived by Luciano Chessa at and for the piano. As such, it only incorporates piano sounds, be that orthodox and heterodox. The motif heard at the very beginning of the film is in juxtaposition to percussive sounds obtained by playing the open piano strings with the palms of the hands. This motif returns cyclically in various incarnations, and culminates in the lyrical core of the soundtrack, a presentation of the piano, traditionally played, which anticipates the point in the film in which the piano, approached by Jennifer Davis, is finally shown. As Ms. Davis’ performance is dance-like and dance-inspired, most of the music cues are conceived as stylized dances.
Luciano Chessa is a composer, conductor, performance artist, and music historian. His performance of “intensely visual scores” in a concert he curated for NYC’s Roulette on December 2020, was characterized as “gripping” by New York Times critic Anthony Tommasini. Chessa’s compositions include 1462 Willard Street, for viola, commissioned by the U.S. Library of Congress. See lucianochessa.com
Concept & Direction: Tayeb Al-Hafez
Glass Sculpture: David Ruth
Choreopgraphy & Dance: Jennifer Davis
Music and Sound Design: Luciano Chessa
Photography: Frazer Bradshaw